How can you be a Polaris fan and not be reading new X-Men comics where she is a team leader?

Thanks for asking! Here’s my answer.

As a fan of Polaris, like everything else I’m a fan of, my priority is seeing Lorna treated well by Marvel. That is the most important thing to me. Lorna as a team leader, Lorna beating Havok or some other character, etc, none of that matters unless Lorna is getting treated well at the same time.

Here’s a hypothetical scenario that I hope makes it clearer. Lorna’s a team leader. But she’s depicted as a raging asshole that constantly abuses her team members, spouts racist lines, and runs away in terror any time she has to fight. Should a book with her depicted like that still be read because she’s the team leader?

Treatment of Lorna is currently overall good from what I’ve seen and heard, but there was a lot of bad stuff before, and a bad cover for Blue #28 coming up, that cause me to not read it yet until I trust that it’s safe.

I could also describe how things were for me Lorna on All-New X-Factor, the first time Lorna got to be a team leader in her own right, by ANXF #6. I almost dropped that book for the same reason, and only ANXF #7 kept me from doing that.

As for why I don’t read it anyway, under the thinking of “you need to know the intimate details of what’s happening to her,” I have two reasons.

The first reason is about the message sent. If you say “this book is awful, why do this to her,” and so on but then read it anyway, you’re sending a message that it must not really be as bad as you say it is. You’re saying no matter what they do to her or how bad it gets, they’ll get your money anyway, so what you have to say doesn’t really matter.

The second reason is that if it’s bad, I don’t want it anyway. In the pure financial sense, I can spend that money on something that I actually want. Get a nice sandwich, or let it add up and commission an artist to draw something I really want. In the broader sense, there’s no fulfillment in the feeling that I’m throwing my time/money away on something I know I won’t enjoy.

In the case of Blue, my reason isn’t about current quality of writing anymore. It’s that I don’t yet trust future quality. I might if Blue #28 turns out to be much better than the cover makes it look like it will be.

Why Dreamer Mattered

I’ve been complaining loudly about not just that Dreamer died, but the way her death was handled by the show, ever since it happened.

I’ve complained about how poorly it was done. How the show made her sacrifices leading up to her death worthless and entirely illogical. How the show rushed to move on from her death to play up the Cuckoos at the end of the episode as the “big takeaway.” How the show cared so little about her that they told us things like “she worked at a women’s shelter,” but didn’t bother to show us instead, which would’ve been so much better.

I’ve also talked about her potential. How her powers could’ve been used in ways that weren’t considered (e.g. “fog of war” obscuring vision, or as a defense against psychic attacks by the likes of the Cuckoos). How more could’ve been done of Polaris and Dreamer hanging out as best friends. How if for some reason that wasn’t possible, she could’ve been with “the good guys” next season as counterbalance to the Cuckoos on Lorna’s side.

I’ve even raised arguments for why she should be around for other characters. For example, I’ve privately said to one Polaris fan that she was a “safe support” for Lorna, for example.

I’ve done all of that. But I haven’t gone into what is perhaps the most important reason the death is a problem at all: why Dreamer mattered.

For this, I want to start by directing attention to the amazing art below.

This was a piece of art drawn by Peter Nguyen, requested/commissioned by Jamie Chung and Blair Redford as a continuation of pictures Nguyen drew for the show of all the other main characters.

In this art, I want emphasize a very important feature, the thing that shows precisely what made Dreamer matter so much: hearts.

Think about all the characters on the show. Think about what they’re like, what they represent.

Polaris is fire and fury. Thunderbird is the do-gooder boy scout, the moral compass. Eclipse is the troubled man who’s done wrong and wants to be better. Blink is to sarcastic runaway, the noncommittal type who’s reluctantly sticking around. The Strucker kids are the next generation finding their way in the world. The parents are the old guard protectors trying to help leave behind a good world for their kids, while learning what their generation did wrong. The Cuckoos are the manipulative head-screwers who can look innocent and sweet one second and then vicious and cruel the next. Sage is the smart techie brains of the operation.

None of these characters is the heart of the show. When Gifted killed off Dreamer, they ripped out and stomped on the heart of the show.

As the heart, Dreamer did things that were wrong for the people she loved. She gave Blink her memories and feelings for Thunderbird. She went through Turner’s mind – and felt horrible about the damage done to him, that she couldn’t prevent. When the choice came between herself or the kids not using their powers, she was willing to sacrifice herself for the good of them and all mutants.

She did all of these things out of love and didn’t mean to hurt anyone. She was fiercely against Lorna punching out the guy at the bar because, whereas Lorna felt like doing it, Dreamer felt it was unnecessary. She didn’t want a scene, yes, but under the surface, she also didn’t think the guy needed to be hurt.

She kept everyone around her good and loving, in ways no other character could ever possibly pull off.

A lot of people mistakenly think it’s cool and smart and edgy to spurn the heart of a show or franchise and any characters that represent that nature. They’re wrong. Without the heart, everything starts to get dull. Everything loses its color and life and becomes just an endless boring drudge.

The heart gives purpose and meaning and value. It provides a way back from the worst of the worst, and balances things out. You need a heart or you have decay.

When I said Gifted is screwed without Dreamer, way back when it happened, I didn’t have the words to say why the show is screwed. But now I do. This is why. Without Dreamer back as its heart, Gifted is going to sink. Probably not right away, but definitely as things progress. If everything starts to feel dull and repetitive and common. As there’s no color in the darkness.

That’s why she mattered. She represented more than people realize, and as much as many may scoff at the idea, that scoffing and conscious brain thinking isn’t going to change how they slowly react to the show on a subconscious level.

I think the real problem is that current Marvel editorial just doesn’t consider Polaris when they plan these events, in much the same way they don’t consider Dust or Mercury for them. Which is arguably worse.

Too much has happened for me to think this sort of stuff visually happening is not an intentional snub.

First there was Enchantress made to look more like Lorna with Wanda on a heavily-promoted Axis variant cover, while an ANXF cover that actually had Lorna and Wanda together was kept offline and out of view until the Friday before the issue’s release.

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After Axis and its forced retcon on Wanda and Pietro being Magneto’s kids, there was the blatant attempt to give Wanda and Pietro a “replacement sister” in the form of Luminous, using an all-blue color scheme instead of a green one to be slightly less obvious about it.

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And then there’s the X-Men anniversary covers that all connected into one big image. They had Havok fighting alongside 4 of the original 5 X-Men for one cover, but they excluded Lorna completely, even though she also become an X-Men member (its second female member at that) AND was introduced before Havok.

This is on top of how the Avengers side of Marvel went out of the way to exclude Lorna from everything she had a right to be in, from Avengers vs X-Men to Axis and more. During Children’s Crusade, they even went as far as removing Lorna from a recreated picture from House of M that she was originally in.

Having talked a little with Kelly Thompson, I believe she had good reason to use Brand (she said Kitty and Brand have history together and I’ll trust her on that), and nothing necessarily “required” Lorna to be there.

Yet, visuals are an entirely different story. Brand was drawn with long loose hair and no glasses, wearing purple – the color second most commonly associated with Lorna – and positioned between two women who happened to be wearing green dresses.

All the visual cues that are always associated with Lorna were present. There were no visual cues to suggest Brand. That’s why everyone thought it had to be Lorna until Kelly Thompson said it wasn’t.

And one possible argument to be had on visuals might have been that there were no mainstay costume features for Lorna present either, but any right to that argument was lost when Marvel decided to give her costumes on ANXF and now X-Men Blue that have none of those iconic costume features.

In ANXF and now Blue, Marvel has basically said “you should recognize Lorna by the fact she’s a woman with green hair and nothing else.”

If Marvel’s not going to let Lorna have iconic costume features that stick with her across costumes, like Brand does with her glasses, then they have by default said any woman with green hair and no other distinguishing features must be assumed to be Lorna. Which means Brand is visually invading Lorna’s territory here.

So, again on Thompson’s end from what she said, it looks like she’s in the right. However, there’s a problem with whoever decided on visuals for the issue. There’s too much recent history and there are too many factors involved for me to treat it as unintentional.

There’s another scene of the issue that Kelly Thompson, I think part-jokingly, said she considers a dancer in the back to be Lorna. I’ll talk about that more later. The short of it is that given history of treatment toward Lorna and how Brand looks, saying “I believe that dancer is Lorna” means nothing. It’s fanon. It’s not Marvel actually saying it’s her and making people aware it’s her. Without real official backing, it’s just another random green-haired woman, like Carmilla Black.

that’s not Polaris, it’s Brand (X-MEN: THE WEDDING SPECIAL RECAP/REVIEW – CBR Community – Post #81) aren’t you a bit racist for assuming all green haired women are that magneto abortion?

1) I assumed people keeping a closer eye on the specifics had read it and knew it was Lorna. So, in the strict sense of correcting a mistaken assumption, thanks.

2) Since you’re anon, I don’t know if the “racist” line is meant to be joking or troll bait. I’m assuming troll bait since you followed up with badmouthing Lorna for no reason.

It’s also not going to stop me from saying things I was always going to say when I learned this.

I’m not surprised it’s not “supposed” to be Lorna. I was surprised when I thought it was Lorna, because Marvel has such a history of pretending she’s worthless and keeping her out of weddings and events that my default assumption is that they’ll deliberately exclude her.

It’s a shame that Marvel is proving me right yet again.

It’s also a shame that they’re proving me right that they have something against Lorna deliberately. If it had been Lorna back there, then her being between two women wearing green would’ve been fine. But you combine those two women in green not only beside Abigail Brand, but Brand without her glasses and with loose long hair, and it becomes pretty clear someone at Marvel is doing this on purpose to be a tool.

Pro-Polaris vs Pro-Her-Relationships

I’ve talked about this sort of thing before. I just don’t think I’ve ever been this explicit about it in a post before.

Polaris is a multifaceted character. She has a lot to offer, and a lot of untapped potential. The thing is, she also has a long history of her potential getting undermined for the sake of promoting the stories of other characters and making those other characters look better. Sometimes it’s a simple “this character beats her” situation, but sometimes it’s more complex.

Because of this history, it’s important to be cautious of how Lorna is treated in connection to her relationships. It’s important to strike the right balance and right tone.

If you focus on Lorna and completely exclude all her relationships, then she has nowhere to go and no collaborative opportunity for development. She needs Magneto, Scarlet Witch, Jean Grey, Iceman, etc so that she can interact with them and show her sides while also helping the other characters demonstrate their sides.

You may have noticed that in a lot of my proposed ideas for Lorna interacting with other character, I emphasize shared territory and how Lorna can help them just as they help her. Lorna interacting with teen Jean is useful cause Lorna was the second female X-Men member and has early history with Jean as women. Lorna interacting with Iceman (teen or adult) is useful cause she was part of a love triangle involving Iceman in the early days, so she has insight into his relationship history as a previously closeted gay man that other women don’t have.

If you focus on Lorna’s relationships and put everything of who Lorna is and what she can offer in her own right to the side, then Lorna gets nothing out of it. She stops being a character and starts being a plot device to put other characters on a pedestal.

Much of Lorna’s history with Havok has been existing as his girlfriend. In that time, writers would have her quit things she cared about just cause Havok wanted to quit them (e.g. leaving the X-Men), or spout ideals and do things only to follow up with lines like “I thought of what Alex would want me to do.”

With Magneto, as written in too many more recent cases (but not THE most recent issues of Blue), her status as Magneto’s daughter has been emphasized to a point of robbing her of agency and keeping her away from other possible interactions. An attack happens on HQ, she somehow acts surprised so Magneto can “correct” her, despite her history surviving a genocidal surprise attack on Genosha. Her ‘Mistress of Magnetism’ codename gets twisted into looking like something she’s only allowed to have cause Magneto’s her dad. Things like that.

Balance is important. Lorna needs to be able to interact with other characters and build her relationships, but who she is and what she can offer shouldn’t be entirely sacrificed just to make the other party look better at her expense.

Lorna should not be reduced to “Havok’s girlfriend” or “Magneto’s daughter” to the point where she loses all else about who she is, like Genosha survivor, or mutant rights activist, or all sorts of things that make her who she is.

A normal person is not defined exclusively by “so and so’s daughter” or “so and so’s girlfriend.” When news agencies refer to accomplished women as things like “George Clooney’s wife” in the headline and don’t use their name, they get rightfully called out for it.

The same applies to Lorna. She’s more than just someone’s daughter or someone’s girlfriend. She’s Lorna Dane.

With this in mind, two things.

One, it’s important to be attentive to one’s own ways of supporting a character to see what direction they’re taking.

Two, it’s important to watch what other people are emphasizing as the most important thing to notice about Lorna.

Cause if it’s all or almost all about how she’s Magneto’s daughter or Havok’s girlfriend, and everything else is ignored or hardly mentioned? That’s bad for her. That’s placing her beneath those characters, setting her in their shadow, and saying she can’t ever be her own unique and meaningful self without their presence to define her entire being. It ends up saying she can’t deviate from them in any way.

Marvel’s 15 Most Powerful Alpha-Level Mutants, Ranked

Now this is an excellent write-up for Lorna. Here’s what it says.

Since Polaris was created by Arnold Drake and Don Heck in 1968’s X-Men #49,
Lorna Dane’s origins have been something of a mystery. Shortly after
her first appearance, Magneto, the X-Men’s ultimate rival, claimed that
she was his daughter. Although that fact was disputed for decades while
Polaris served with the X-Men and X-Factor, Polaris eventually confirmed
that Magneto was actually her biological father. Since her
electromagnetic powers are basically a less refined version of Magneto’s
abilities, that revelation wasn’t too surprising in retrospect.

During “Apocalypse: The Twelve,” Polaris was identified as an Alpha-Level mutant in 2000’s X-Men #97,
by Davis and Kavanagh. Although it’s never been confirmed, several
sources claim that her mastery of magnetism could be on par with
Magneto’s abilities. However, Polaris hasn’t had as much practice with
her abilities as her father since she’s spent a lot of time outside of
combat situations, with a different set of powers, without any powers or
possessed by a malicious spirit. Still, Polaris has managed to
accomplish some impressive feats with her abilities. After the mutant
nation Genosha was destroyed, Polaris maintained a massive magnetic
field that held the final recorded moments of millions of its residents
for months in 2001’s New X-Men #132, by Grant Morrison and Phil Jimenez.

It explains the murky history of her parentage and acknowledges what it is, unlike a previous CBR article from a different writer who tried to make it look like she’s not Magneto’s daughter.

It presents how she doesn’t have all the powerful moments she should by explaining she hasn’t had a chance to use them as much as she could and should, and lists all the scenarios contributing to that.

Most importantly, it acknowledges Genosha and what happened to her. It’s something that Marvel tends to pretend never happened, and it really needed this kind of highlight.

I also really like that there’s no mention of Havok at all. I’ve been pissed off lately over how much “she’s Havok’s ex-girlfriend” has been emphasized on X-Men Blue. It’s great to see an article manage to acknowledge she’s a character in her own right. It goes a long way toward showing that she’s more than just the ex of the only person Marvel has ever allowed her to have a relationship with in 50 years.

Marvel’s 15 Most Powerful Alpha-Level Mutants, Ranked