I just made a post about Giant Size Zine, but in the process I decided I’m ready to do something I’ve been thinking about for a while: post some pictures of my actual offline collection tied to Polaris!

First, the highlight: my copy of X-Men #49!

It’s not in perfect condition, obviously. Yet even in this condition, I was incredibly fortunate to meet someone who was willing to sell it at a price I could afford at the time.

Next, a few collectibles.

Not pictured: my copy of Lego Marvel Super Heroes (having trouble finding it), and the Super Hero Squad figurine for Lorna.

Women of Marvel there is a calendar I bought solely cause Lorna was included in it. I’ve never even opened it. I just wanted to buy it for Lorna.

I’m not a big collectibles person. The only thing I’ve bought collectibles for besides Lorna was Final Fantasy IV, for which I imported tons of stuff.

I don’t count collector’s editions of video games. If I get those, it’s usually either cause I feel the price isn’t too much, or I really support what it’s doing (e.g. Wolfenstein II).

Now for a bit of where my fandom started!

I’ll retell the tale. I discovered Polaris by happy accident when link-hopping around the Marvel wikia. After I found her, I immediately went out to a nearby comic book shop for the sole purpose of buying stuff with Lorna in it. I grabbed anything I saw with her on the cover, because at that point, I had no concept of what depictions of her were good, bad, whatever. I just wanted to read her.

I honestly don’t remember when or how Jeff Parker’s Exiles volume came into my hands. Maybe I bought it at the shop. Maybe I got it later. Maybe I knew some titles in advance before I went, or maybe I thumbed through to see if this random green-haired woman was Lorna before I picked it up.

In any case, these were among the first things I read with her in them.

Next, progress!

I bought every issue of All-New X-Factor. I could swear I bought two copies of ANXF #14, but I can’t find my second copy.

I vaguely remember what happened surrounding X-Factor #243. At the time, I wasn’t reading X-Factor. I expected the worst from Peter David before I gave him a fair shot, so I didn’t want to give him any money. When X-Factor #243 came around, though, I… still expected the worst. So I didn’t preorder. But it did grab my attention.

When it came out, and people spoke well of it, and I saw pages and panels to back it up, I went out and bought a copy. I would’ve bought two, but it was the last copy. I know because I talked with the shop owner about getting a second copy. That convo led to finding out there was a lot more interest than usual, and maybe Marvel would put out more copies with a variant cover because of it.

Never happened, because Marvel doesn’t have the kind of respect toward Lorna needed for such a thing to happen. But I held out hope for such a thing back then.

I gots one last picture.

When Secret Wars hit with some version of Lorna in multiple places, I started buying double copies to really show my support for more Lorna. The cost for these right here alone is $24, and it’s not all I bought. I bought all of SW:HoM, all of the final Magneto arc, and stuff like Star-Lord and Kitty Pryde too. In most cases, I also bought digital out of pocket. Meaning I basically bought three copies of the same book just cause Lorna was in it.

Then Marvel put Lorna into forced limbo for two years. That ended me going out to buy physical copies of comics.

I saw no reason to do it because first I figured any appearance she had would be a minor cameo. Something so they could say they technically used her before sending her into forced limbo again.

Then she settled on Blue, but I didn’t want to go out and buy physical yet because of how she was treated in Blue #8 and #9. I wanted to see improvement before I went and did it. Improvement never really came. Either it would be far too little to justify going to buy physical, or it would be undermined by Bunn putting Havok on a pedestal and making any progress for her into just a footnote or a boost for Havok’s story.

I have more comics featuring Lorna since 2009, but these are the highlights for me. 

Still another; I first heard this as an Automatic Mario video. I never got this and put it on my phone though, so I had a hell of a time finding it again. I’ll need to get it this time.

EDIT: WAIT I HAD THIS ON MY COMPUTER THIS WHOLE GODDAMN TIME AND I FORGOT I HAD IT?! WHAT THE HELL ME?!

Play from the 0:25 mark for the song. This is the only video I’ve been able to find that actually has it. This is “Your Love Song” by Angela Aki.

I got a new phone recently. That means re-adding my music, and finding songs I forgot about. This song is one of them. I always found it very beautiful and haunting, like most of Angela Aki’s songs that she’s best known for. It touches deeply with the sense of loneliness and want.

Since I’m thinking about Angela Aki, it’s also reminding me of Moraru no Soushiki (Funeral of Morality), which is an entirely different focus and tone, more powerful, but just as touching and emotional.

I’ll probably run across more songs as I look through what I’ve listened to.

With the follow from @sneshofficial, I’ve finally reached 500 followers!

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Most of which are probably bots. Or aliens. Or bot aliens trying to eat my brains. You can’t have my brains, bot aliens. I’m already brains.

I’ll probably end up with some unfollows that drop me back down some time after this post, cause my account constantly fluctuates. But for now, I reached the 500 milestone.

My Attitude/Pessimism Toward Marvel

I’m tired but can’t sleep. That means writing a post about Polaris and my general pessimism toward Marvel.

I’m putting this behind a cut because I know some people out there don’t want to see it, and I won’t push it on them when they search. Others have probably seen it over and over and are sick to death of seeing it. Here I go.

I’m extremely pessimistic about Marvel these days. I expect a mix of nothing, backhanded/sabotaged use, and empty gestures that function in the most technical sense possible but don’t actually amount to anything.

Preface: when I note a specific person, do not harass them. I am not just saying this. I mean it. Harassment is bad. It sucks. Don’t do it.

Introduction to Marvel

I learned about Polaris in 2009. I’ve been putting up with Marvel’s behavior for the past 8 years. I’m jaded and pissed off.

When I discovered her, it was at the precise moment when Marvel was shutting down the good things going for her and trying to discard her in space. I loved Jeff Parker’s Exiles run. They abruptly shut it down after six issues; Jeff Parker even had most of a script for issue #7 done when they did it. I loved Lorna’s presence in the Wolverine and the X-Men cartoon. They abruptly canceled it after one season, despite the team having plans as far out as season 3.

My introduction to Marvel’s attitude toward her was already on a sour note. In spite of it, I entered into Marvel with optimism. I naively thought that perhaps with enough positivity and shows of support, things would change.

But then I got to Tom Brevoort. Presently Senior Vice President of Publishing.

Introduction to Editorial/Executive Individuals

Back around 2012, Brevoort was very openly negative toward Polaris. When the matter of Lorna’s parentage came out, he was more than happy to try to claim Lorna couldn’t possibly be Magneto’s daughter, yet somehow Siryn could be Banshee’s daughter, with some convoluted excuse about “genetics breeding true.” When someone asked about Polaris possibly being in the Avengers vs X-Men event, his response was to say that Lorna couldn’t be part of it because “events are only for A-listers and B-listers.” Meaning he blew off any potential value she could have to the story, and looked down on her as a “lesser” character.

This is in addition to Brevoort bending over backwards to exclude her from family events in things like Children’s Crusade.

My first experience with someone at Marvel in an editorial/executive role was someone who had nothing but contempt for my favorite character and looked for any excuses he could find to devalue her and exclude her from anything he could.

Handling Lorna’s Return From Space

At the time I got into her, Marvel comics had Lorna shoved into space, same with Rachel Summers and Havok. You know how important they seemed to see her? They kept her in space limbo for a year. A full year lost, because according to what I’ve read, the X-Men and space offices didn’t know who had control of the characters.

Think about that. If this was someone like Wolverine or Storm, they would’ve been on top of making sure who could use them. Instead, they cared so little that they spent a year just letting her hang with no writers able to use her.

When they did finally bring her back? They shoved her back onto X-Factor.

X-Factor

Now, a lot of people love X-Factor, and they love Peter David. I understand that. I had a volatile start here, and if I’m completely honest, I didn’t give Peter David a fair shot before judging at the time. But I need to explain why I was volatile over this.

Polaris was in X-Factor in the 90s. She had a lot of major development afterward. She joined her father Magneto and her step-siblings on Genosha, developing her powers, gaining vital skills, building a reputation. She survived the genocide and dealt with trauma afterward. She lost her powers from Scarlet Witch stripping them from her. Got them back when Apocalypse forced her to become Pestilence. She went through Hell.

… Then Marvel decided to kick her back down to where she was before all of that development. They shoved her back on her old 90s team. Forced her to remain Havok’s supporting girlfriend. The reveal cover even had her standing behind Havok to drive this point home.

To me, it felt like a symbolic “fuck you” to everything Lorna suffered through, all the growth she had, all the ways she established her own character.

This was my first experience with, in my eyes, Marvel technically fulfilling something I and other fans wanted while undermining it. Fans wanted her back from space. They brought her back from space… then put her on a book that at first glance turned back the clock on all her development, and with a writer who is deeply opposed to characters he’s writing being involved in crossovers and broader Marvel events if he can help it.

Marvel traded exile in space for exile on X-Factor. They didn’t solve the problem. They just changed where the problem existed.

But like I said. I don’t think I gave Peter David a fair shot at the time. He did do some good things.

Sabotaged Milestones

I want to note going into this that I had some major problems with some of Peter David’s writing. I was very upset when he wrote Lorna saying he could do without seeing her father for the rest of her life; giving Marvel an excuse to never use that relationship. All-New X-Factor #3-6 also treated Lorna very, very poorly. It lacked empathy in writing her “rage” moments, and undermined her leadership to make Gambit look better.

I wanted to get that out of the way for context.

X-Factor #243 told Lorna’s origin story. She’d gone over 40 years without it being told. And it was good! Much better than I expected.

All-New X-Factor let Lorna lead a team in her own right! It also took over 40 years to happen. Until then, she only got to be “replacement leader” for other characters’ absences.

All-New X-Factor in general let her interact with Quicksilver, and #14 let her interact with Scarlet Witch! It was the first time she got to spend time with her siblings in around 10 years.

… And Marvel refused to promote any of it.

Marvel did nothing to promote Lorna’s origin story getting told after 40 years of Marvel never telling it. They didn’t promote ANXF at all. When ANXF #14 was coming out, they went so far in trying to keep people from knowing about it that they withheld its cover until a week before release. Too late for most people to order it. Not to mention it was the second issue of a double shipping month.

But wait. It doesn’t just stop there. It also goes into Marvel trying to use attributes of Lorna while refusing to actually use Lorna herself.

“Replacing” Lorna, Not Using Her

At the same time as ANXF #14′s release, Marvel had promoted Axis with a cover months in advance of Scarlet Witch paired with Enchantress, with Wanda’s hair tinted red and Enchantress’ hair tinted green. So basically? While Marvel tried to bury ANXF #14 happening, they tried to exploit the visual of Lorna and Wanda to sell more copies of Axis.

Then, after Axis forced a retcon that made Scarlet Witch and Quicksilver suddenly not Magneto’s kids anymore, Marvel decided to do something else dickish. They created a character called Luminous, to be a “sister” to Wanda and Pietro.

That’s not one, but two times Marvel – mainly the Avengers side, meaning most likely Brevoort – tried to replace Lorna instead of actually using her. One, a character they saw as “more worthy,” and another brand new character they created for the sole purpose of occupying the role she had. That’s how much Marvel looked down on Lorna: they decided they’d rather create a character than use her.

Forced Limbo

Marvel canceled All-New X-Factor “due to low sales.” Notably, when they put out the Scarlet Witch solo, they let that book last for a year despite having sales just as low starting with issue #2.

The last time we saw Lorna in anything before her return this year was Secret Wars in 2015. At the time, I was excited. She was going to be able to interact with her father. Her broad family ties were acknowledged with Secret Wars: House of M. Various alternate reality versions of her had cameos.

I started dreading that Marvel doing so much for her all at once was a sign they planned to throw her into limbo afterward, and this was just to smooth things over before they did. I kept it to myself though because I wanted to believe Marvel intended to do better by her from that point onward.

Except I was right.

For two years, Marvel kept her in forced limbo. No appearances. No cameos. Nothing. The absolute most she got in that time was Sabretooth talking about how she smelled. Marvel looked at interest in Lorna, and for two years said “Fuck her, let’s use literally anyone else.”

Oh, but she’s back now, so it’s all fine! Right?

No. It’s not.

Beneath Men On Return (X-Men Blue)

Her first appearance this year was an alternate future in Deadpool and the Mercs for Money. There, she wore an all green costume with Magneto’s helmet and Magneto’s chest element. At the time, I made the mistake of supporting it. I should have seen and treated it as a bad omen of things to come.

When she finally got re-introduced with X-Men Blue #8 and #9, I was pretty damned jaded by Marvel. After everything I explained above, after two years of forced limbo, I expected she would briefly appear and then get thrown back into forced limbo. It turns out, how she’s been written and still being written makes me wish Bunn would stop writing her.

X-Men Blue #8 spends a ton of time building up Havok. He gets to be a threat to the teen X-Men. He gets to lead a brand new team of his own. He gets to interact with Briar Raleigh and get introduced as working with Emma Frost. He gets to establish connections. He gets all of this.

Then Polaris gets introduced. And how is she introduced? With dialogue exclusively emphasizing that Havok is her ex. And a description text box that describes as only one thing: “Daughter of Magneto.”

Think about that. Imagine Havok bursts into a room Polaris is in and all he says is “I know you were my girlfriend, but I won’t let my feelings for you hold me back.” Imagine Magneto shows up, and the only thing Marvel thinks you should know about him is “Father of Polaris.” Nothing else.

X-Men Blue #9 proceeds to reinforce this. It takes great pains to re-frame Lorna’s long-held “Mistress of Magnetism” title into looking like something she’s only allowed to have because Magneto is her father. When Lorna uses her powers to make two team members leave, one of them says it’s a sign she’s definitely Magneto’s daughter.

Because, y’know, a silly woman like Polaris couldn’t possibly want to do that of her own accord. It must be because of her daddy. Right?

Then, in a future issue (I think the next one), Bunn writes Lorna acting surprised by an attack on the team’s base – just so he can write Magneto “correcting” her about how attacks can come at any moment.

This is Polaris. A woman who’s been attacked out of nowhere repeatedly for decades. She survived a genocidal massacre that came out of nowhere and killed millions, for fuck’s sake. There’s no way in hell she’s going to not expect an attack while in a base of operations. She wasn’t safe in the heart of Genosha, she’s not going to think a piddling mansion will somehow be safer. I found this very insulting as a whole.

In the latest event, Lorna is put in the Malice costume at one point. Her reaction can be summarized as “Oh wow, this is one weird costume alright! How strange. Oh well.” While the scene is designed to heavily emphasize Mutant Massacre, the horror of dead mutants in the sewers, and Magneto’s outright about it.

Here’s the thing. Malice possessed Lorna and used her body to hurt and kill people, including those she loved. She was a passenger in her own body, forced to witness the horror of it all. For Lorna to have no kind of real reaction at all is insulting. The book plays it like it’s just for fun and thrills and doesn’t care at all about how Lorna would actually behave.

And something that doesn’t help is occasionally forcing dialogue where Lorna says ‘father’ or ‘dad’ in spots that are completely unnatural, just to remind everyone that he’s above her in that fashion. As I write this, I’m trying to remember if I saw Magneto refer to Lorna as “daughter” like this at any point.

The consistent pattern in everything Bunn’s done with Lorna so far is this: “Magneto and Havok are great, Lorna is beneath them and that’s the only value she has as a character.”

Odds and Ends

I’ve said a lot here, but there’s some pieces throughout the years that didn’t fit above.

The X-Men franchise had its anniversary in 2013. Marvel made covers meant to combine into one big image. Polaris was on none of them. Yet, Marvel included Havok alongside four of the original five X-Men on one cover.

In general, Marvel has been forcing Havok into every major development for Lorna while never raising her profile when things happen for Havok. When he went to Uncanny Avengers, the most she came up was unnamed as a “crazy girlfriend” he’s glad to be away from.

Yet, when Lorna’s origin story was told, Havok got to be involved. When Lorna led a team of her own, Havok got to be forced in as spying on her via Quicksilver with the reason being that Havok in sum thinks she’s not smart enough to avoid being taken advantage of by Harrison Snow. And then X-Men Blue, where he got to be the primary focus of what was being played up and promoted as Lorna’s big return after 2 years of forced limbo.

With regard to Avengers vs X-Men, Brevoort did technically relent to include her… as a nameless cameo. Who gets mind-controlled into submission by Emma Frost. And who Magneto completely ignores being treated that way after having gone into space to help rescue Lorna just a month prior.

When Occasional Good Isn’t Enough

As you may be picking up here, Marvel did allow some good things for Lorna during these past 8 years.

She returned from space. Magneto is her father. She got to interact with Wanda and Pietro. She got her origin story told. She got to lead a team of her own. She got her first playable appearances in video games. She got a figurine after a decade without one and lots of fan demand in top 10 lists. Arguably (cause Nix took the initiative to ask to use her), Marvel allowed her to be a star on Gifted, which is the best writing she’s had in a long time.

A person might look at the good stuff she’s managed to get in the past 8 years and think: what’s the deal? Why be pessimistic and negative about Marvel when they’ve done good things for her in that time?

Here’s the thing. Doing the occasional good thing does not undo massive heapings of bad that happen at the same time. If you burn down my house, giving me a brand new car isn’t going to bring my house back, nor is it anything close to a replacement for what I lost.

I’m not “ungrateful,” I just don’t let the rare nice thing from Marvel blind me to all the times they’ve screwed over the character I care about and keep doing it. I don’t let the occasional nice thing make me forget that Marvel’s spent most of her nearly 50 years of existence cheating her out of everything she can be.

My attitude toward Marvel is a reflection of Marvel’s attitude toward what I care about.

Some people are quick to play nice over that occasional good. I see doing so as a mistake. It’s giving Marvel permission to keep treating Lorna poorly as long as they throw a tiny breadcrumb over every so often. I think it’s part of what’s allowed Marvel to hold her back for literal decades. They don’t have to do anything more than the bare minimum if the bare minimum looks like it’s enough for Polaris fans.

Some people are afraid Marvel will at some point “punish” demanding more from Marvel after the occasional good. My stance is this: if Marvel is genuine, if they really want to do right by Lorna, then they’ll try to do right by her no matter what I say. If they try to tear down Lorna for things I’ve said, then they were lying any time they said they support her or that they said they try to be a good writer/editor. At which point they require more criticism and complaint, not less.

This post was long, but necessary for me. I needed to say all this.

Over on Twitter, a person I follow and that follows me (for now) got mad at me for my reply to Marvel over its announcement of bringing back Marvel vs Capcom 3. He wanted me to stop complaining about how Marvel excludes Polaris from everything and treats her poorly. He didn’t want to understand my perspective, said I must not have a lot of friends, and that I wasn’t being an adult for voicing my complaints.

Background.

Many years ago, I actually did lose an online friend over my complaints involving fiction. Not over Polaris, but over Rosa Farrell. My complained a lot about how certain people, especially certain really bad Rydia fans, went out of their way to make Rosa sound bad. They framed everything she did as if she was stupid or weak. They went so far as to lie about some “Japanese source book” supposedly saying Rosa was dating Kain but then dumped him for Cecil because Cecil had more power.

Which is the exact opposite of what Ultimania actually says, by the way. Ultimania says everyone wanted her to date Kain because he was higher rank, but she loved Cecil and was devoted to him.

When the online friend decided to cut her ties, I was ready to silence myself. I offered to tone down my complaints or hide them from view. I offered to stop talking about any of it at all. She didn’t care. She just didn’t want to talk to me anymore.

Of course, what I’ve experienced doesn’t end there. People really, really can’t handle the idea of muting or ignoring remarks that they don’t like.

Over the years, I’ve complained about FF13, 3rd Birthday’s treatment of Aya Brea, Capcom’s treatment of Jill Valentine and Claire Redfield, the “Lara Croft” in the Tomb Raider “reboot,” and many more things. I’ve earned some pretty stellar personal attacks as a result.

One person said they wished my parents were Jews that died in the Holocaust. Another person accused me, quite often, of being a dangerous potential rapist that shouldn’t be near kids. Belittling my complaints about poor treatment of female characters as “waifu obsession,” framing me as if I have body pillows and walls plastered with pictures of anime girls, is a common theme too.

And of course, many people on Tumblr are deeply aware of a person or group of people that have made it practically a mission to smear and badmouth me among Polaris fandom. Making up things about me. Twisting things I said to sound bad or worse than they actually are.

I complain because I care. A lot. Many people don’t understand why I care, what I see in these things that causes me to want to promote and defend them so badly. They can see it with characters like Superman, or Batman, characters they see everywhere and can personally identify with on some level. But not the things I care about. They don’t want to know, either. They also don’t want to know what I’ve endured in voicing my thoughts, concerns and complaints.

They just want me to shut up because they’re sick of seeing it repeatedly. And they find attacking me, insulting me, making things up and generally being abusive much easier and more personally gratifying than simply ignoring me.

I lobby my complaints these days expecting hatred and lost connections.

Fin.

This is a personal post about disappointment and regret at lost opportunities caused by bad behavior at Marvel over the past half a decade. It’s about what could have been.

Today, I uncovered some Marvel comics I bought around 2011 or so. More specifically, I found Avengers Next no. 4 from February 2007, and Moon Knight no. 8 from April 2007. I vaguely remember purchasing these comics on a whim as I was buying one of the X-Men Legacy issues for Five Miles South of the Universe. Those where the issues where Polaris was finally coming back to Earth from space, finally getting to spend time with her father, and finally getting her status as his daughter confirmed.

I’ve said many times before that Lorna is my gateway into the wider Marvel universe. At the time I bought these comics, I was really riding high on hope for the future. This was a whole universe I didn’t really acknowledge had any kind of value before. There were so many characters doing so many different things, and I wanted to see who they are, what they were, and think about how Polaris could interact with such a vast universe. For the first time in my life, the Marvel universe mattered, and I wanted to understand it.

Of course, all of this was before the bad corporate and editorial stuff crept in to ruin such a vibrant picture. The more the Avengers books tried to deny Lorna her place as part of the Magnus family, the less comfortable I felt with reading Avengers books. There was a time when I sincerely thought it would be great for Polaris to join Rick Remender’s Uncanny Avengers and have sister time with Scarlet Witch. I won’t go into all the details, but as Lorna’s value kept getting blown off or in some cases outright sabotaged, I found my love and thrill for exploring the broader Marvel universe diminish. What kind of a creative universe is this that would treat a character that means so much to me like she has no value, where the Avengers books would act like Wanda and Pietro spending time with her is an insult to the Maximoff twins because she’s “not good enough” for them? Why would I want to explore a universe that actively says “We hate everything you love”?

We’re on the verge of a pivotal comic book issue for Lorna in Magneto #20, and we don’t know if she’s going to live, die, or get sent into limbo. Marvel has allowed her to have a lot of great character development and writing over these past six years, at the same time she’s been suppressed from public view, kept away from major events, and kept away from her family only until they were ready to tear the family apart in the 616.

I’d like to say the overall great development and writing for has given me a lot of hope for Lorna’s future, I want that to be the case, but I find it difficult to have faith in such a future with Marvel’s track record. This is a company that responds to an outpouring of fan love and delight at the Magnus family and all it has to offer by tearing it apart. If they’re willing to do that, what are they willing to do to Lorna? What if I come to love Captain America, and contract issues with Chris Evans go really bad? Is any Marvel character I come to love safe from being deliberately undermined and ruined in the comics over business issues? Does fan love and interest mean anything to this company?

I think if things had been handled differently, I would be a much different person when it comes to Marvel. I think I’d be reading all the events. I think I’d be reading the new Scarlet Witch solo. I think I’d be demanding Fox cut a deal with Disney/Marvel so we could see the Magnus family in the MCU. I definitely would have read female Thor, Kamala Khan and A-Force; that Avengers Next comic I bought on a whim was an all-female version of an Avengers team. I think I would be so many things right now in favor of Marvel if things had gone differently.

But I don’t really trust Marvel anymore like I did when I first discovered Polaris, and the company was treating X-Men, Fantastic Four and things tied to them better. I’m not just “boycotting” anything other than non-X-Men comics for the sake of protest, though I’m definitely doing that. It’s all a complicated mix of things. There’s disgust, depression, a feeling of betrayal, and it’s all because I maybe made a mistake in caring about Marvel and putting trust and faith in a company that probably doesn’t want it in the first place.

I’m hoping for the best with Magneto #20, because I know Cullen Bunn is an excellent writer and he does right by characters as best as he’s able. But I can’t trust that Lorna will come out of it fine, and if she does get killed off,  I can’t trust that Marvel’s reason won’t be because an exec doesn’t want the X-Men books to succeed or because an editor personally hates her. I can’t trust that what they do with or to her will be out of respect for the character and the fans who love her.

Magneto #20 and what happens to Lorna will mean so, so much more for me than just “will I get to see my favorite character in more comics.” I’m really hoping the issue will prove my worst expectations don’t always come true, and that what I saw in Marvel when I first discovered Lorna isn’t completely dead. It’s not just the immediate future of Lorna at risk for me here, it’s the dream that an entire Marvel universe worth loving and exploring still exists and hasn’t been completely destroyed by corporate interests.

If you read all this crazy spiel, sorry it’s so long, and thanks for reading. I really hope my next personal post about Marvel is a lot more optimistic.