Originally, I was going to make a post within the next few days about how terrible and obvious it is that Marvel’s been trying to bury the X-Men and Fantastic Four, citing recent articles like this and this. However, news that came out today that I’d much rather talk about: Mark Paniccia is now senior editor of the X-Men, joined by Daniel Ketchum.
Note #1: I am NOT what I consider a “hardcore” comics fan. I know a lot specifically about Polaris’ history and treatment and stuff that’s happened related to her, but I don’t know tons and tons outside that. I don’t really know much about editors pre-2009.
Note #2: This post will be Polaris-centric, because she’s what I care about most.
Follow the jump if you still want to read on!
So! Paniccia. Recently, he was the one in charge of Savage Hulk during the arc that included Lorna.


Lorna didn’t have a very big role on the arc, but she DID have a meaningful one, and she was on it. That’s extremely important. In the past, Marvel’s ignored her history with the franchise and acted like she was created in the 90s as an obscure character. In Savage Hulk, we see Marvel acknowledge that she’s been around since 1968, and I think it was a really good smaller role showing for her.
(For anyone that might be concerned about the second image, it’s all mental hallucination even with the implication that Hulked up Jean is mind-controlling everyone)
However, there’s something far more important he worked on: Jeff Parker’s Exiles in 2009.


This is just a sample, there are a lot of great moments between Lorna and Wanda. Exiles provided us with these AU versions of the sisters, and even sent the Exiles to a whole House of M style universe. We got two sets of AU sister awesomeness, and the storyline itself made heavy use of that. Parker’s Exiles is honestly THE version of their relationship I point to any time I want people to know what’s possible.
On the flipside, Paniccia was the editor on Ultimates for the event that killed off Ultimate Lorna. Personally, that one doesn’t bother me; it might’ve been decided without him, and regardless, it might have been for the best. Ultimate Lorna was devoid of most of what made other versions of Lorna, especially 616 Lorna, so great.
This means that in Paniccia, we’ve got someone that knows how important Lorna is as part of X-Men franchise history, and who knows of the potential of Lorna both separately and with her sister Wanda.
Next, Ketchum. Recently, he’s been the main editor to the amazing Magneto solo written by Cullen Bunn. It’s the only X-Men book I’ve been reading that didn’t have Lorna on it, who only just recently got involved on Magneto #18 with great moments like these.



Magneto’s considered one of the best X-Men books currently getting published, and Bunn’s written some great work that’s really addressed Magneto’s character with brutal honesty. I haven’t said much about editors in that regard, but bad editors could really screw up good writing, and I think what we’ve seen in Magneto shows Ketchum’s a good editor.
Ketchum was also editor on X-Factor, most importantly for X-Factor #243, THE big issue (in my opinion) of the run in which we finally got Lorna’s origin story after she went 40 years without one.

At the time, I was very negative about Lorna on X-Factor under Peter David’s pen, and X-Factor #243 was a shining moment that I think helped change my view to a more open mind for All-New X-Factor. Obviously nearly all the credit for that goes to Peter David himself, but like with the Magneto solo, I’m sure Ketchum deserves at least some credit.
It should be noted that Ketchum’s been editor for Axis and the more recent post-Axis Uncanny Avengers, but from what I’ve seen about each, he’s not the editor in charge, just an assistant editor.
So, in Ketchum we have an editor that also knows Lorna’s long history with the franchise, knows the importance of her ties to her father, and who was on board for one of the most important issues of her recent character development.
Between Paniccia and Ketchum, we have two editors that are aware of Lorna’s history with the franchise and key parts of her character development and potential. They’ve each been editors on some of the best depictions and uses of her in recent history.
I don’t know everything about either of them, and even thinking the best of each, there are people above them at Marvel who could overrule them on anything and everything. Still, right now I’m optimistic about the future, both for Lorna and the X-Men franchise as a whole.